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Elements of Computer Music by F. Richard Moore

Elements of Computer Music F. Richard Moore ebook
ISBN: 0132525526, 9780132525527
Format: djvu
Publisher: Prentice Hall
Page: 570

As a 'traditional' musician, i.e. After all, before the advent of cheap, powerful PCs, a department might have one computer for the entire class, and its main purpose was to sit in a walled-off machine room and spit out numbers on a printout -- hardly inspiring. But layering can even be broken down into a set of more basic elements. This is the evolution of computer music performance, one in which acrobatic and damn-near athletic abilities are on full display. This kind of in-your-face virtuosity illuminates the capabilities of Producers can track sounds directly into software like Logic or Fruity Loops with the dash of a mouse, skipping the entire element of performance. Here's the way the Computer Music Man describes the power of layering: “Layering is the key to getting a pro sound…it adds fatness to your parts. Clarifying Effortless Programs In Computer Music! Just as a music major needs fluency on some instrument, and know how to sight read, so do CS majors need to know how to program in a couple of languages. The use of bodily gestures, infinitely variable and visible to the audience, avoids the 'robotic' and visually uncommunicative quality typical of computer music. This is the rise of Instrumachines. Expert music gear and equipment reviews from MusicRadar.com, the world's number 1 website for musicians. - elements of computer vision, game controller(s), iPhone/iPad, iCube sensors, video/jitter. Elements of music composition (texture, timbre, pacing, development, register, etc (look at Project 1)). As a math major, the abstract elements where fun. Consolidation Era After This includes some elements of music composing, song writing, music is able to tweak his or her sounds as they wish. They shipped to some of the largest . But unlike the Alto, it consisted of many expensive components, including 2 or 3 workstations and associated devices, which drove the typical price above $50,000. The BBC ran a story earlier this week discussing a computer program that is being trained to compose music, based on human feedback to its (at first) randomly-generated efforts. During the war, military research spawned mechanical calculators, “computers” such as Colossus and ENIAC; afterward, IBM commercialized equally intimidating, multi-million dollar machines that required their own rooms.